This Floating Excrement Was Way Too Symbolic! These Are the Television Disappointments of the Year.

Looking back, we consider the TV offerings of the past year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. From awkward spin-offs to bafflingly poor docuseries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Plagued with woeful writing, painful character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. For a moment, as the third season started, it looked like it had finally hit its stride. Then came an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the last series. It ended on a bum note; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Yet, viewers undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this show's problems. The recipient of a very rare zero star assessment, it was difficult to know where to start listing the problems. The laughably wooden dialogue? The mind-numbing glorification of affluence and consumption? The seemingly wilful procession of tropes? Performances so bad they felt almost spiteful? Suffice it to say “all of the above” and never speak of this series again. Except, a new season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, domestic violence allegations and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might induce should be saved for the people who have had to endure proximity with this charming but flippant egotist.

The Supercomputer Drama

Of course we understood it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

MobLand

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were many other problems. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various London picaresques which felt rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of certain ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into quaint homemaking as deliberate statements. But then you watch them and are forced to concede that actually, they might have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “hacks” you’ll forget instantly. All underpinned by immense, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be said about regarding Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Instead, the experience was akin to reading a marketing catalogue. She obviously has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality managing her estate. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that captured a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled sensitively. Instead, the series struggled painfully to find the right tone, lurching from oddly jaunty, slightly stylised farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This international thriller about secret services spying on – and eliminating – intellectuals frankly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for explicit escapades as she undertook her biggest feat yet. What on earth would possess her? What we wanted was way more interrogation of her true psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to drag her son away from the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Stephanie Watson
Stephanie Watson

A seasoned journalist with over a decade of experience covering political and social affairs, known for her in-depth reporting and balanced analysis.